I know this topic has been discussed a lot before, but in my opinion there is no simple answer to this question.

Lately, I have been a bit disappointed with my Nikon DSLR kit (D3200) and thus I’ve been considering an upgrade. I got it many years ago, and it is undoubtedly a great, affordable camera that produces great images. I’ve had lots of fun with it and I can’t complain about its performance when shooting – given ideal conditions. When I am shooting more challenging subjects, however, I feel a bit hindered by my camera body/system. The points that bother me the most are:

  1. Size. The D3200 is a very nice, compact, and lightweight DSLR, but it is still relatively big compared to modern cameras. It won’t fit in a jacket pocket even without an attached lens. More current cameras with a higher image quality can be smaller than it is (but heavier). The situation is even worse for higher-end DSLRs.
  2. Autofocus. Again, the D3200 is a fantastic camera if you are just using the center focus spot using the optical viewfinder and nothing else. Live view (contrast) focus is straight up unusable, and there are only 11 (phase) focus points or so if using the viewfinder. At least that’s the case with “ordinary” Nikon lenses. I don’t know how it performs with higher-end lenses, like the Sigma Art line.
  3. “Low light” performance. I can’t bump the ISO significantly before image degradation becomes obvious. Low light in quotes because that’s the case even in fairly well-lit situations. Occasionally, I like to print on medium-sized paper (A3+), and if I need anything above ISO 400 to properly expose the image, it won’t look that good printed. Of course, I can always stick to printing bright images large and save the “low light” scenes to smaller prints, so this isn’t really my main concern.
  4. Custom controls. I wish I could customize the camera settings a bit more. For example, on my camera, the back button AF/AE can be set to lock the AF/AE or as a back button focus. But in image preview mode, the same button “locks” the image so it can’t be deleted. Thus, you need to quit image preview before using that button to trigger autofocus again. I would like to have a dedicated AF button so I can shoot straight from image preview if the opportunity arises. Another example of customization I can’t do: settings like auto-ISO and shutter speed can’t be capped/limited to a certain range. Let’s say I want to use auto-ISO but prevent it from going above 400 to avoid too much noise (and decrease shutter speed but risk shaky images). Or the opposite: prevent the shutter speed in aperture priority mode from going below 1/100 to avoid shaky images and then change ISO instead. Well, I can’t do either at the moment. Again, a nice feature to have, but totally something I can live with.

From what I have seen, cameras nowadays have gotten pretty good and they do look like a significant upgrade from 10-15 year old bodies. I guess all popular, entry-level, modern cameras (2019-) solve at least 3 of the 4 problems I listed above, so I don’t think I can go wrong with any big brand. However, I’m having a hard time deciding with so many options and sensor size/formats available. My options so far are:

  1. Nikon Z. Since I am already familiar with Nikon F lenses, I have read a lot about them and I know the strengths and weaknesses of many of those. That means I likely won’t be disappointed if I switch to another system, and I want a certain lens that doesn’t exist, or the optical performance is poor, or it is prohibitively expensive. The Z50, Z5, and Z6 all look amazing, and I can pick or switch between a full frame or cropped sensor easier than I would if I was stuck with a micro four thirds. They are more affordable than Sony.
  2. Sony. They seem to be fantastic cameras, with great image quality and features. Sigma and Tamron options for Nikon are likely available for Sony as well. I’m just slightly afraid that lenses might be too expensive for what they offer. Their cameras look super compact and pocketable, which is a huge plus to me. Full frame (A7iii) or cropped (A6400) are also both available for a seamless transition.
  3. Olympus. I think it is impossible to beat micro four thirds in size and affordability. It is perhaps the only system where you can get a wide angle, portrait, fast prime, macro, and telephoto that you can take everywhere in a small bag while not costing you a fortune. They also have pretty nice features, such as the “live mode”/“smartphone photography”, where you can get a frame that was captured slightly before the shutter button was pressed. This must be so cool for wildlife. Olympus stabilization is also highly regarded, with people claiming it to be “gimbal-like”. The E-M5 iii looks very appealing. My main concern is that I’ve never used a micro four thirds before and thus I don’t know how much I’m letting go in image quality. I already feel that the dynamic range I get with the D3200 rocking a larger, cropped sensor could be better.

I am not considering:

  1. Canon. I completely disagree with their “no third party lenses” policy. To me, that is unacceptable.
  2. Fujifilm. There are barely any telephoto options and they are one of my favorite lens types to use.
  3. Panasonic. I like what I read about the Lumix cameras, but they seem to be behind Olympus regarding micro four third still-focused cameras (apart from the G9). And I don’t know much about the L-mount.
  4. Hasselblad, Leica, etc. Too expensive. I want something that I can take with me everywhere and not worry too much if it gets damaged.

I would appreciate if you all could help me figure this out! Especially people who have used more than one modern mirrorless system or have recently transitioned from DSLR to mirrorless. Many thanks in advance!

Edited to add:

I forgot to describe how exactly I use my camera. I mostly shoot:

  1. “Lifestyle” photos, like something cool I’ve seen while biking to work, walking in the park, visiting museums, etc.
  2. Hiking, biking, backpacking photos, like landscape, close ups, macro, wildlife, etc.
  3. Birds of all sizes.
  4. Occasionally, street photography if there’s some cool event going on.
  5. I do like to shoot video, so something that would be 4K capable would be great.
  • somethingp@lemmy.world
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    5 months ago

    I started with a used Nikon d3300 a while ago, and then upgraded to an a7iv when it came out. I was mostly starting to feel the limitations of low light performance and slow autofocus on the d3300. For me the a7iv seemed like the right choice at the time, and I’ve been very happy with it. But I think if I were making the same decision now, I might choose the a6700. It’s smaller, similar specs, cheaper, and most importantly for me, the apsc crop would be better for wildlife as it gives better reach. I recently went to Yellowstone and the number of times cool stuff was happening just a little too far away was a bit frustrating. If I had something like an a7riv or a7rv, it wouldn’t be a problem because of how high resolution they are. But those cameras cost a ton more. But I’m still very happy with my a7iv and will not be changing cameras any time soon.

    I would say that unless you have a lot of nice glass for the d3200 already, don’t worry about switching to Sony. I think it really is the best brand for hobbyists because of how much affordable and excellent 3rd party glass is available for the system in both full frame and aspc. Just cannot be matched with any other system. Also, if you do want the crazy fancy stuff, the Sony G and GM lenses are some of the best in the game, and definitely have the most variety of lenses.

    I would avoid m43. A lot of the newer cameras aren’t particularly light or small. I think the Sony apsc cameras are often more compact and more affordable.

    • buffy@lemmy.worldOP
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      5 months ago

      Thanks for the input! I am considering the A6400 and A7iii, given the amazing reviews they always get.

      I don’t own many expensive Nikon lenses, but I am planning on selling the more expensive stuff that I have to switch systems. That shouldn’t really be a problem, since I got quotes from MPB and KEH that I’m happy with.

      Sadly, you are spot on regarding micro four thirds and the path they are taking. If I’m not mistaken, Panasonic’s last compact micro four thirds camera was the GX-9, released in 2018. Olympus’ bodies are not smaller than other brands, either. Some of them even dwarf high-end, full frame DSLR bodies (e.g. E-M1X vs D750), while most are only slightly smaller than full frame mirrorless (e.g. E-M5iii vs A7iii). But honestly, something that bugs me a lot is exactly the situation that you were describing about your trip to Yellowstone. I live pretty close to the Rocky Mountain NP, so I’m there somewhat frequently. I must say, there were situations where I regret not bringing a long telephoto with me, and I own a nice one. I have a huge Tamron 150-600, but I can’t hike with it on top of all the outdoor gear I’m bringing, so I only use it when I’m not walking that much.

      Olympus, for instance, sells the 75-300 lens which is ridiculously small for the reach you can get. Especially if you compare that to a Nikon F cropped plus 80-400 or full frame plus the 150-600, the difference in size is jarring. At the moment, the only equivalent solution I see for Sony is a cropped body with the new Tamron 70-300, which is comparable in size to the E-M5iii plus the 75-300. Which isn’t bad at all. I suspect this would be an image quality vs reach battle, where I could see either winning.

      I also agree that micro four thirds is sadly becoming pricier and pricier. In contrast, the market for Sony cropped seems to be always hot.

      Actually, I’ll see if my local store will have Sony and Olympus bodies in stock so I can try them out some time this week. I’ve only ever handled a Sony ZV-E10 camera, I’m curious to see how the A6x00 series feels.

      • somethingp@lemmy.world
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        5 months ago

        I actually was using my 200-600 with a 1.4x teleconverter. For photos it was a little easier but particularly for video was harder. But honestly it’s all great. I don’t do crazy hikes with a lot of gear so I’m happy to lug my 200-600 around. And it usually gets me the shot or close to it. I’m not a professional so it’s not like anything depends on me getting the shot. It’s more about the journey anyway haha

        Main thing is my a7iv no longer feels like it’s limiting me like my d3300 did and more often than not, it is my own limitations

        • buffy@lemmy.worldOP
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          5 months ago

          I am not familiar with super long reach photography, but I love telescopes. As a matter of fact, the latest DPReview photography challenge winner got the shot using a M43 camera with a telescope. Maybe you could look into digiscoping for your next trip if you need insane magnifications like 1200mm-3000mm or more. That should be way cheaper than a modern, high quality lens with extra features like stabilization and blazing fast autofocus.

          • somethingp@lemmy.world
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            5 months ago

            That’s a good idea. I think in that situation the fancy stuff matters less than the magnification so the “cheaper” telescopes might make more sense. I’ll have to look into it!