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Cake day: June 11th, 2023

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  • usernamefactory@lemmy.catoMovies@lemmy.worldThe decline of sex in films
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    14 days ago

    Agreed, well placed and executed action or sex scenes can be used to great effect. They are also equally capable of adding nothing but wasted time. My point is that bad action scenes have been wasting plenty of time in movies lately, so a desire for tight films with no fat is definitely not the cause for the comparative dearth of sex scenes.



  • They were introduced in the first Trek film to justify being able to see the ship at all:

    “And whoever was designing the process of making the visual effects hadn’t really thought about what I was thinking about, which was how do you see the Enterprise when it’s in deep space, when it’s not near the sun or a star or anything? What’s the source of light? Where’s the key light? Where’s the fill light? How are you going to make this thing beautiful? And my thought about it was how to make it light itself up, kind of like the Titanic at night. And make it light itself up by having lights onboard the nacelles, shining on the fuselage, and from the fuselage shining up on the nacelles, and make it look like it’s self-illuminated. So I didn’t have to justify a key light, because there wouldn’t be one. And no one had ever thought of that."

    https://www.ign.com/articles/2019/12/07/star-trek-the-motion-picture-tmp-enterprise-refit-drydock-douglas-trumbull








  • At a very basic level, the concept could work - jump into the future to show how the crew’s adventures are remembered. Babylon 5 succeeded at the same kind of idea for their excellent Season 4 finale.

    But B5 showed that the characters left a profound and enduring legacy. In These Are The Voyages, Riker consumes the story of Trip’s death like it’s a mildly engaging episode of a daytime soap - between the scenes of a better episode that works much better without the addition. It’s just the worst execution you could imagine.




  • I’m talking about situations where my meaning would become clear if I weren’t interrupted before I finished what I was saying.

    It’s fine, though. I’m learning to front-load my main points. Instead of trying to say “Hey, I know we said we’d clean the basement this weekend, but I think it’s more important that I spend that time fixing the car,” and getting interrupted with thoughts about the basement before I’m able to mention the car, I try to say “I’d like to work on the car this weekend. I think the basement can wait.” Takes practice, though.





  • I thought the crossover element of Generations really brought it down. The original cast had a far better farewell in Star Trek VI, and I don’t think the writers of Generations had enough to say about Kirk’s character to justify the tortured story logic that brought him in.

    Give me a Kirkless cut and I’ll be so much happier. All the pure TNG elements work fine for me, McDowell is great, and the D looks beautiful with cinematic lighting.