But but… my golden dragon mini!

Just kidding, I did not bother to try out project Sigil, so my golden dragon mini was never claimed. It’s hard on the developers that were laid off, but I won’t miss the tool, at all.

The 2024 spell ends immediately if you deal any damage. So, also item damage.

5e RAW, they remain invisible. However, using the tinderbox will make noise so enemies will likely notice that.

In the 2024 rules, dealing damage (even if not by attacking) causes invisibility to end.

NOTE: both versions of the rules (see the oil item description) state that in this scenario, an enemy only takes damage if it enters or ends its turn in the oiled space. Starting their turn in the burning oil does not cause damage, so just moving out of the space will prevent the damage. The lighting of the oil also does not cause immediate damage

Tell me, what exactly is the function of a rubber duck?

So far, I’ve played three sessions with three different groups. Haven’t run into big issues yet. Next session I will be using monsters from the new MM. I’m curious to see how the balancing turns out.

I’ve run ‘Sarah…’ as a oneshot too, and even though I got the pacing totally wrong the first time, I agree that it is a good one; I will definitely run it again .

I have a new party of three absolute beginners lined up for next saturday. I forgot the snails in the adventure though 🤔

Das Riff. https://boardgamegeek.com/boardgameversion/25523/german-edition

(assuming 5e or newer) You can’t true polymorph into Tiamat. The ‘aspect of Tiamat’ from Fizban’s is already CR 30, Tiamat herself is unstatted but obviously more powerful.

As a player character, you can only True Polymorph to a creature of CR 20 or lower

totally unrelated time in the screenshot, I’m sure

I use https://owlbear.rodeo/ for that. It allows you to cast your map to a 2nd screen in player mode, while you can still see the full picture. It has ‘fog’ to hide areas from the players and supports zooming in on each screen separately, or you can sync zoom&view (manually or continuously) from your dm screen

1. the image is not an example of your argument; the text is just factually describing what happens, using the common name of a music genre

2. this kind of subtitling (or captioning if you’re from North America) is very helpful for people with hearing issues; it helps to better understand the story

Sure, I 'll bite:

you should have a talk, all of you including the DM, about ‘social contracts’.

No. Read this.

Dune.

That is what ‘automation’ often is. You take a working process, then let machines do as many steps in that process as you can. Harvesting crops, sending memos, robots spraypainting car parts, self driving cars (We still have a lot to do there)

Building on that it gets even more interesting as we try to find better, or even completely new processes.

I was part of a gaming club in Europe from 1983. I learned to play D&D basically just like Dragonlance depicted when it was published in 1984. So, for us, it was more of a reinforcement than a revolution.

How was this handled in the age of typewriters?

How on earth did English typography get so weird with mdash, ndash, dash, hyphen, etcetera while most of the readers have no clue about the the differences. IMHO, just use dash.

Can you explain me how the different lengths of dash add to the understanding of the text, when I usually don’t even see the difference on my mobile phone screen?

The description of room K3 gives some clues; it describes the different bridges as “the 50-foot-high bridge” and “the 30-foot-high bridge”.