I’ve said it once and I’ll say it again, the rules of firearm safety apply in common situations, not on professional movie sets. I’m reminded of a video of a parked car causing a massive pile up in a bicycle race, because even though it wasn’t moving, the people in the middle of the pack can’t see past the cyclists in front of them, and can’t dodge the car in time. That post got comment after comment about how stupid the cyclists were, how you should always be prepared to stop at a moment’s notice, how you should never cycle anywhere without at least six miles of visibility, but the thing is, in bicycle races, common sense doesn’t apply. The roads are supposed to be clear because cyclists aren’t going to be able to see far enough ahead of them to properly react to obstacles, because that’s what bicycle races are like.

Similarly, when you’re at your friend’s house and he’s showing off his new carbine, you absolutely treat it like they’re a moron who left it chambered, and even after you make sure it’s clear, you don’t put your finger on the trigger and you don’t point it at anyone. This isn’t because it might still shoot, it’s because you need to practice that muscle memory in case your idiot friend doesn’t clear it next time. But when you’re on a movie set, the norm switches. You’re working with professionals, and when they tell you it’s cold, it’s supposed to be safe to assume that it is in fact cold. A million other actors have made that assumption a million times each, and it’s been a safe assumption virtually every time. The people at fault when the gun isn’t cold aren’t the actors who trusted the professionals, it’s the professionals who brought live ammo to a movie set.