Once widely respected as a symbol of American excellence and a global icon of cultural achievement, the Smithsonian Institution has, in recent years, come under the influence of a divisive, race-centered ideology. This shift has promoted narratives that portray American and Western values as inherently harmful and oppressive. For example, the Smithsonian American Art Museum today features “The Shape of Power: Stories of Race and American Sculpture,” an exhibit representing that “[s]ocieties including the United States have used race to establish and maintain systems of power, privilege, and disenfranchisement.” The exhibit further claims that “sculpture has been a powerful tool in promoting scientific racism” and promotes the view that race is not a biological reality but a social construct, stating “Race is a human invention.”
Three months after the sex realism EO they are now doing race realism
looking forward to the new Smithsonian exhibit: “Slavery didn’t happen, and if it did it benefitted the slaves and hurt whites.” Curated by Dr. Blert Vander Honk, PhD in Philosophy of Christian History from the Coeur d’Alene Bible & Tire College’s Conservatory of Eugenics.
“slavery was invented by muslims. the kindly whites, out of the goodness of their hearts, took mercy on african slaves, already enslaved by muslims and other africans mind you, and treated them to a free intercontinental voyage, and then free food and free lodging at the whites’ expense, then immediately, barely two centuries later, abolished slavery”
Chuds actually believe this
What’s Stefan Molyneux been up to these days? We could hire him to curate it.
Last I knew he was praising Icelandic social norms and crediting their success with the fact that they’re ethnically homogenous