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Cars and Comrades - Left of the Projector: Smokey and the Bandit (1977) | RSS.com
rss.comIn this episode, we analyze the iconic 1977 film "Smokey and the Bandit" with the hosts of Cars and Comrades. We share our personal connections to the movie, discussing how it shaped our views on truck driving and outlaw culture, particularly through Brandon's experience. The conversation revolves around the Bandit's wild quest to transport Coors beer and critiques the comedic representation of law enforcement, exemplified by Sheriff Buford T. Justice. We delve into the film's themes of working-class solidarity and anti-authoritarianism, highlighting the camaraderie among truckers and the Bandit’s folk hero status. Our analysis also touches on the humor, improvised dialogue, and gender roles, particularly through Sally Field's character. As we reflect on the film's lasting legacy, we share personal ratings and recommendations, reiterating its significance for car enthusiasts and fans of classic comedy, all while reinforcing our mission to explore car culture from a leftist perspective.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojectorCars and Comrades links: www.linktr.ee/CarsAndComradesEmail us with tips, stories, and unhinged rants: carsandcomrades@gmail.com
In this episode, we analyze the iconic 1977 film “Smokey and the Bandit” with the hosts of Cars and Comrades. We share our personal connections to the movie, discussing how it shaped our views on truck driving and outlaw culture, particularly through Brandon’s experience. The conversation revolves around the Bandit’s wild quest to transport Coors beer and critiques the comedic representation of law enforcement, exemplified by Sheriff Buford T. Justice. We delve into the film’s themes of working-class solidarity and anti-authoritarianism, highlighting the camaraderie among truckers and the Bandit’s folk hero status. Our analysis also touches on the humor, improvised dialogue, and gender roles, particularly through Sally Field’s character. As we reflect on the film’s lasting legacy, we share personal ratings and recommendations, reiterating its significance for car enthusiasts and fans of classic comedy, all while reinforcing our mission to explore car culture from a leftist perspective.
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://boxd.it/5T9O1
https://leftoftheprojector.com
https://instagram.com/leftoftheprojector
http://tiktok.com/@leftoftheprojectorpod
https://www.threads.net/@leftoftheprojector
Cars and Comrades links:
www.linktr.ee/CarsAndComrades
Email us with tips, stories, and unhinged rants: carsandcomrades@gmail.com