BarterClub@sh.itjust.worksM to Antiwork@lemmy.worldEnglish · 1 year agoWe're likely to start hearing unionbusting lies about how studios and streamers can't afford to pay actors fairly because “the writers took all the money.”sh.itjust.worksimagemessage-square33fedilinkarrow-up1633arrow-down119cross-posted to: unions@lemmy.ml
arrow-up1614arrow-down1imageWe're likely to start hearing unionbusting lies about how studios and streamers can't afford to pay actors fairly because “the writers took all the money.”sh.itjust.worksBarterClub@sh.itjust.worksM to Antiwork@lemmy.worldEnglish · 1 year agomessage-square33fedilinkcross-posted to: unions@lemmy.ml
minus-squarespacecadet@lemm.eelinkfedilinkEnglisharrow-up6arrow-down13·1 year agoRevenue is kind of useless when discussing this, what are the profit margins?
minus-squareredcalcium@lemmy.institutelinkfedilinkarrow-up24arrow-down1·1 year agoDue to Hollywood’s creative accounting, we’ll never know what their true profit. For example, a hugely successful Return of the Jedi is technically not profitable despite earning $475 million at the box office against a budget of $32.5 million.
minus-squareplayer2@lemmy.dbzer0.comlinkfedilinkEnglisharrow-up1arrow-down6·1 year agodeleted by creator
minus-squareplayer2@lemmy.dbzer0.comlinkfedilinkEnglisharrow-up4arrow-down5·edit-21 year agodeleted by creator
Revenue is kind of useless when discussing this, what are the profit margins?
Due to Hollywood’s creative accounting, we’ll never know what their true profit. For example, a hugely successful Return of the Jedi is technically not profitable despite earning $475 million at the box office against a budget of $32.5 million.
deleted by creator
deleted by creator